Monthly Archives: January 2010

The Little Boy Still Knows—And Waits

'Wisdom' and Other Words To Live By From a Wet-Behind-The Ears Oracle

Normally I step into the shower with a question, expecting and sooner or later receiving a response in the form of words . . . sentences . . . ideas . . . messages that I essentially ‘hear’ and then transcribe for myself and anyone else who might be tuning in.

But sometimes there is no question that I can find the right words for. Sometimes I don’t know how to ask, or to articulate my concern or desire. Sometimes I stand there in the flow . . . waiting for the Flow . . . with only what I feel in that moment, knowing only that my heart is asking for . . . something . . . even if my mind has not yet found the words for expressing that desire.

And so it was recently, as I once again stood there, wanting . . . asking without words . . . hoping to be understood . . . waiting.   As I waited, what came were not words, initially, but pictures. They were familiar pictures of a little boy walking along a beach, with his mother nearby but not in the picture. The little boy had the open horizon of the sea and sky beside him . . . and on his face was a calm curiosity that, again, was familiar but that I seemed to have forgotten.

I looked at the little boy and I recognized him . . . not just his face and form, but his heart, and how it felt to be walking with that horizon beside him and with his mother close by, knowing that all was well . . . knowing that he was loved and cared for . . . protected. . . . knowing only that his world was calm and bright with possibility, knowing only that he was loved and having no reason to question whether he was worthy . . . knowing only safety and comfort . . . knowing no fear or rejection or worry of not being enough . . . knowing no fear about what would become of him or what he would become.

In this waking dream, I saw this little boy walk over to me and take my hand, urging me to walk with him, to be with him in his world, seeing what saw, feeling how he felt. I stood there in the shower, letting myself watch me with this little boy who I recognized and remembered. I stood there letting him take me back to a place where I could see and hear more clearly things I had forgotten.

I let him lead me back to that place of peace and quiet and comfort and joy. And then and only then did I hear the familiar words . . . the familiar sounding message . . . coming in response to the question I didn’t even realize I was asking . . .

Yes, you are loved.
Yes, you are worthy of love.
Yes, that part of you—that child you were and still are—knew this then and knows it now, and will always be there to remind you, to take your hand and to walk beside you anytime your heart calls out to the You, you really are.

In this moment I was also powerfully aware of the ways that I tend to ignore or neglect or just forget about that child—the little boy I was and, no doubt, still am. I was aware of how little attention he receives from me and how strict and demanding I tend to become with him.

I felt his need to be seen and heard—and loved. I felt his desire to be remembered and cared for. And in that awareness, I also heard more from The Team . . .

Not one of you ever stops being that wide open, innocent and eager to love and be loved, wise child that you start out being. You only learn too well all the rules and regulations and requirements that make it increasingly difficult to remember that child.

He (or she) is always available to you, always standing nearby, wanting you to play with him, to notice him, even just to be with him . . . and in return he is always ready and willing to love you with a purity and a power and a perfection that will take you straight into the arms of Source . . . right back to that incomparably lovely place where you—and he—began.

It was a brief message—and one I had heard before–but the words and the pictures once more told me everything I needed to know, to feel what I needed to feel. And for that moment, I remembered again how it was to feel–then and now—at least for that moment, complete.

Musings on Inspiration: Author Jude Mason

An idea is salvation by imagination.
—Frank Lloyd Wright

This week I am continuing my series of interviews  about inspiration with multi-published Canadian author, Jude Mason.  Jude writes in a variety of genres, stretching the boundaries at every opportunity.  She has worked in print with Cleis Press, Phaze and Total E-Bound to name a few.  Jude also has dozens of e-books available as well as a few in audio. There’s always something new in the works or coming out, including her most recent paranormal romance, Of Death and Desire, avalable at Phaze Books.

Check out her website for more information about this talented author and her work.

TSC. How do you define ‘inspiration’ for yourself?

JM: This is the simplest of questions, yet possibly the most difficult to explain to a non-writer. Inspiration comes from everywhere. Glancing through a window, I’ll see the same hedge, maple tree and lawn I’ve seen a million times before, but… and it’s that but that’s important. One time, I’ll see a movement in the trees and instead of it being a bird, it’s be a goblin peering at me. No, or course there’s no such thing, but it doesn’t matter, I’ve seen it and it’s the spark of something bigger. An entire story will flash, or perhaps just the bulk of it, and that’s the beginning.

So, what inspired me? The hedge? The knowledge that goblins lurk in among the trees? How about inspiration is simply imagination allowed to run rampant? Not only allowed, but encouraged?

TSC. What do you think first inspired you to become a writer/artist?  Can you identify a moment or experience or influence that turned you in that direction?

JM: I honestly can’t recall one brilliant flash of inspiration telling me to become a writer. I just evolved from a childhood of creating plays for the neighborhood parents to writing those stories down when I learned to write. I’ve always had stories inside wanting to get out. When I read books, often I’d finish and decide the story might have been better if it went in another direction, or the characters needed to tell more about themselves.

TSC. Describe the ‘inspired’ you.  What does he/she look or feel like?

JM: The inspired me can be a tad manic, is often incredibly distracted and can be very rude. I hate being distracted when I’m in that ‘zone’. Poor man I married sometimes makes the mistake of thinking I’m upset when I’m really just deep in character/plot/inspiration and if he dares ask me what’s wrong, I tend to growl.

TSC. What is your most ‘inspired’ work?  Why?

JM: A piece I wrote some time ago called, ‘Scorpio Tattoo’. The story surprised me. I honestly have read it and am shocked that I came up with the twisty turns in the book. The characters were like my dearest friends and I wept with them when things weren’t going well. They lived in me and still do.

TSC. Who or what or where is your muse?  How do you invoke your muse?  Rituals?

JM: I picture him as a gnome like creature living under my desk plotting ways to annoy me with plots and snippets from different books I’ve yet to write. He’s also the terror who wakes me in the middle of the night with solutions to problems I wasn’t aware were about to happen. I adore him. I hate him. I can’t imagine life without him. I don’t invoke him, he simply arrives, dishes out the bits and bobs I’ll need, or not need, then snickers and vanishes.

TSC. What is your take on the notion that writing—or any creative work—is more about perspiration than inspiration?

JM: One follows the other. I’m inspired by whatever grabs me, whatever captures my interest/imagination at that moment. And it could be anything from a news show to a pickup truck passing me on the street. That’s the beginning of things. The actual getting it down, putting the story on paper/screen is the perspiration part. Without one, there is no other. One, may, at times, be thought of as easier than the other, but not always.

TSC. What do you think is the most common—or problematic—myth or misconception about inspiration?

JM: That you can learn it, that you can control it maybe. Inspiration comes and goes as it will. I believe you just have to keep yourself open to it and go with whatever you get and be glad of it.

TSC. What is the most ‘inspired’ work you’ve come across so far?

JM: I have a feeling this one is beyond me. I am amazed at the creative way some people put thoughts to paper, drawing me in as if I was the proverbial fish on a hook. I would never even attempt to choose one.

TSC.. List a few tools or practices or methods that work reliably for you to get you in the mood to create.  How do you shift into your ‘zone’?

JM: I personally don’t have any rituals or tools to get me where I need to go. Coffee at hand is about the only thing I need. That and a little quiet. I don’t listen to music, or not often, while I come up with ideas. I have been known to check out calls for submission in order to jump start myself, but normally it’s just me and my kinky gnome guy.

TSC. What are you currently feeling inspired to do?

JM: I’ve got this idea flitting around that I’m hoping will solidify into something. Futuristic, sci-fi, mankind has used itself up and the dregs enslaved by some alien race that’s slightly sadistic, but mostly just used to being obeyed by its animal servants. One man escapes and so far, I’ve got him standing in a cave pondering his future. I’m not sure if he’s simply going back for his lover, thus causing one or more sets of problems, or if he’s going to try convincing the aliens that humanity aren’t just animals to be used. That will bring on more problems.
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